Mastery in exercise [44] and Escapism in gaming [45] are known to be

Mastery in exercise [44] and Escapism in gaming [45] are known to be

Mastery in exercise [44] and Escapism in gaming [45] are known to be risk factors for problematic behaviour (dependence), and therefore the motivational background of dance addiction [46] could also be a purchase AZD3759 future topic of research. The level of dance activity was only partially linked to motives. Experience did not appear to be related to motivation, which is contrary to the authors’ expectations [24?9]. Perhaps accounting for the nature of experience (active years vs. duration from first experience) would further clarify the relationship between dance experience and motivation. On the other hand, Intensity (i.e., the Ascotoxin site number of weekly practices) was predicted by the motives for Intimacy, Socialising, and Mastery. The opportunity for social and physical contact appears to be just as important as improving one’s skills when it comes to the frequency of dancing. The present study has both strengths and limitations. Strengths include the large and homogenous sample of social recreational dancers. On the other hand, findings obtained via a homogenous sample limits generalizability of results to other genres of dance. Another limitation concerns the self-selected and self-reported nature of the data. Results concerning the motivational background of dancing require confirmation among different independent samples. Future studies should also address the question of causality between motivational factors and intensity, given that cross-sectional data is unsuitable to establish causality. Dancing is a popular form of physical exercise and studies (outlined earlier in the paper) clearly show that dancing can decrease anxiety, increase EPZ004777 biological activity self-esteem, and improve psychological wellbeing. Overall, fpsyg.2016.00135 the most important aspect of the present study is that, on the basis of the explored motivational background of recreational social dancers, a research instrument has been developed that can serve as a reliable tool for stimulating future research. Additional studies are needed to describe and compare different types of dancing along with their motivational basis. Another objective of future research in this field should be to define the relationship between specific motivational dimensions and different personality traits or characteristics.Supporting InformationS1 Appendix. The Dance Motivation Inventory. Instructions: There are a number of reasons why people choose to dance. Some reasons are listed below. Why do you dance? Please answer from 1 to 5 where 1 = I strongly disagree, 2 = I disagree, 3 = I neither agree nor disagree, 4 = I agree, 5 = I strongly agree. There is no right or wrong answer. We are only interested in your motives for dancing. Key: Fitness: 12, 20, 21 and 9; Mood Enhancement: 22, 27 and 2; Intimacy: 13, 29, 18, 6 and 25; Socialising: 4, 14 and 15; Trance: 28, 10, 19 and 5; Mastery: 23, 1 and 7; Self-confidence: 16, 8 and 25; Escapism: 3, 17, 14 and 26. (DOCX)Author ContributionsConceived and designed the jir.2010.0097 experiments: AM OK RU ZD. Performed the experiments: AM OK RU ZD. Analyzed the data: AM OK RU ZD. Contributed reagents/materials/analysis tools: AM OK RU ZD. Wrote the paper: AM OK RU ZD MDG.PLOS ONE | DOI:10.1371/journal.pone.0122866 March 24,9 /Dance Motivation Inventory
Since the outbreak of severe acute respiratory syndrome (SARS) in 2003, the World Health Organization (WHO) has urged countries to TAPI-2 site prepare for a possible, future influenza pandemic [1]. In June 2009, the WHO declared the first influenza pandemic, influenza A/H1N1, of t.Mastery in exercise [44] and Escapism in gaming [45] are known to be risk factors for problematic behaviour (dependence), and therefore the motivational background of dance addiction [46] could also be a future topic of research. The level of dance activity was only partially linked to motives. Experience did not appear to be related to motivation, which is contrary to the authors’ expectations [24?9]. Perhaps accounting for the nature of experience (active years vs. duration from first experience) would further clarify the relationship between dance experience and motivation. On the other hand, Intensity (i.e., the number of weekly practices) was predicted by the motives for Intimacy, Socialising, and Mastery. The opportunity for social and physical contact appears to be just as important as improving one’s skills when it comes to the frequency of dancing. The present study has both strengths and limitations. Strengths include the large and homogenous sample of social recreational dancers. On the other hand, findings obtained via a homogenous sample limits generalizability of results to other genres of dance. Another limitation concerns the self-selected and self-reported nature of the data. Results concerning the motivational background of dancing require confirmation among different independent samples. Future studies should also address the question of causality between motivational factors and intensity, given that cross-sectional data is unsuitable to establish causality. Dancing is a popular form of physical exercise and studies (outlined earlier in the paper) clearly show that dancing can decrease anxiety, increase self-esteem, and improve psychological wellbeing. Overall, fpsyg.2016.00135 the most important aspect of the present study is that, on the basis of the explored motivational background of recreational social dancers, a research instrument has been developed that can serve as a reliable tool for stimulating future research. Additional studies are needed to describe and compare different types of dancing along with their motivational basis. Another objective of future research in this field should be to define the relationship between specific motivational dimensions and different personality traits or characteristics.Supporting InformationS1 Appendix. The Dance Motivation Inventory. Instructions: There are a number of reasons why people choose to dance. Some reasons are listed below. Why do you dance? Please answer from 1 to 5 where 1 = I strongly disagree, 2 = I disagree, 3 = I neither agree nor disagree, 4 = I agree, 5 = I strongly agree. There is no right or wrong answer. We are only interested in your motives for dancing. Key: Fitness: 12, 20, 21 and 9; Mood Enhancement: 22, 27 and 2; Intimacy: 13, 29, 18, 6 and 25; Socialising: 4, 14 and 15; Trance: 28, 10, 19 and 5; Mastery: 23, 1 and 7; Self-confidence: 16, 8 and 25; Escapism: 3, 17, 14 and 26. (DOCX)Author ContributionsConceived and designed the jir.2010.0097 experiments: AM OK RU ZD. Performed the experiments: AM OK RU ZD. Analyzed the data: AM OK RU ZD. Contributed reagents/materials/analysis tools: AM OK RU ZD. Wrote the paper: AM OK RU ZD MDG.PLOS ONE | DOI:10.1371/journal.pone.0122866 March 24,9 /Dance Motivation Inventory
Since the outbreak of severe acute respiratory syndrome (SARS) in 2003, the World Health Organization (WHO) has urged countries to prepare for a possible, future influenza pandemic [1]. In June 2009, the WHO declared the first influenza pandemic, influenza A/H1N1, of t.Mastery in exercise [44] and Escapism in gaming [45] are known to be risk factors for problematic behaviour (dependence), and therefore the motivational background of dance addiction [46] could also be a future topic of research. The level of dance activity was only partially linked to motives. Experience did not appear to be related to motivation, which is contrary to the authors’ expectations [24?9]. Perhaps accounting for the nature of experience (active years vs. duration from first experience) would further clarify the relationship between dance experience and motivation. On the other hand, Intensity (i.e., the number of weekly practices) was predicted by the motives for Intimacy, Socialising, and Mastery. The opportunity for social and physical contact appears to be just as important as improving one’s skills when it comes to the frequency of dancing. The present study has both strengths and limitations. Strengths include the large and homogenous sample of social recreational dancers. On the other hand, findings obtained via a homogenous sample limits generalizability of results to other genres of dance. Another limitation concerns the self-selected and self-reported nature of the data. Results concerning the motivational background of dancing require confirmation among different independent samples. Future studies should also address the question of causality between motivational factors and intensity, given that cross-sectional data is unsuitable to establish causality. Dancing is a popular form of physical exercise and studies (outlined earlier in the paper) clearly show that dancing can decrease anxiety, increase self-esteem, and improve psychological wellbeing. Overall, fpsyg.2016.00135 the most important aspect of the present study is that, on the basis of the explored motivational background of recreational social dancers, a research instrument has been developed that can serve as a reliable tool for stimulating future research. Additional studies are needed to describe and compare different types of dancing along with their motivational basis. Another objective of future research in this field should be to define the relationship between specific motivational dimensions and different personality traits or characteristics.Supporting InformationS1 Appendix. The Dance Motivation Inventory. Instructions: There are a number of reasons why people choose to dance. Some reasons are listed below. Why do you dance? Please answer from 1 to 5 where 1 = I strongly disagree, 2 = I disagree, 3 = I neither agree nor disagree, 4 = I agree, 5 = I strongly agree. There is no right or wrong answer. We are only interested in your motives for dancing. Key: Fitness: 12, 20, 21 and 9; Mood Enhancement: 22, 27 and 2; Intimacy: 13, 29, 18, 6 and 25; Socialising: 4, 14 and 15; Trance: 28, 10, 19 and 5; Mastery: 23, 1 and 7; Self-confidence: 16, 8 and 25; Escapism: 3, 17, 14 and 26. (DOCX)Author ContributionsConceived and designed the jir.2010.0097 experiments: AM OK RU ZD. Performed the experiments: AM OK RU ZD. Analyzed the data: AM OK RU ZD. Contributed reagents/materials/analysis tools: AM OK RU ZD. Wrote the paper: AM OK RU ZD MDG.PLOS ONE | DOI:10.1371/journal.pone.0122866 March 24,9 /Dance Motivation Inventory
Since the outbreak of severe acute respiratory syndrome (SARS) in 2003, the World Health Organization (WHO) has urged countries to prepare for a possible, future influenza pandemic [1]. In June 2009, the WHO declared the first influenza pandemic, influenza A/H1N1, of t.Mastery in exercise [44] and Escapism in gaming [45] are known to be risk factors for problematic behaviour (dependence), and therefore the motivational background of dance addiction [46] could also be a future topic of research. The level of dance activity was only partially linked to motives. Experience did not appear to be related to motivation, which is contrary to the authors’ expectations [24?9]. Perhaps accounting for the nature of experience (active years vs. duration from first experience) would further clarify the relationship between dance experience and motivation. On the other hand, Intensity (i.e., the number of weekly practices) was predicted by the motives for Intimacy, Socialising, and Mastery. The opportunity for social and physical contact appears to be just as important as improving one’s skills when it comes to the frequency of dancing. The present study has both strengths and limitations. Strengths include the large and homogenous sample of social recreational dancers. On the other hand, findings obtained via a homogenous sample limits generalizability of results to other genres of dance. Another limitation concerns the self-selected and self-reported nature of the data. Results concerning the motivational background of dancing require confirmation among different independent samples. Future studies should also address the question of causality between motivational factors and intensity, given that cross-sectional data is unsuitable to establish causality. Dancing is a popular form of physical exercise and studies (outlined earlier in the paper) clearly show that dancing can decrease anxiety, increase self-esteem, and improve psychological wellbeing. Overall, fpsyg.2016.00135 the most important aspect of the present study is that, on the basis of the explored motivational background of recreational social dancers, a research instrument has been developed that can serve as a reliable tool for stimulating future research. Additional studies are needed to describe and compare different types of dancing along with their motivational basis. Another objective of future research in this field should be to define the relationship between specific motivational dimensions and different personality traits or characteristics.Supporting InformationS1 Appendix. The Dance Motivation Inventory. Instructions: There are a number of reasons why people choose to dance. Some reasons are listed below. Why do you dance? Please answer from 1 to 5 where 1 = I strongly disagree, 2 = I disagree, 3 = I neither agree nor disagree, 4 = I agree, 5 = I strongly agree. There is no right or wrong answer. We are only interested in your motives for dancing. Key: Fitness: 12, 20, 21 and 9; Mood Enhancement: 22, 27 and 2; Intimacy: 13, 29, 18, 6 and 25; Socialising: 4, 14 and 15; Trance: 28, 10, 19 and 5; Mastery: 23, 1 and 7; Self-confidence: 16, 8 and 25; Escapism: 3, 17, 14 and 26. (DOCX)Author ContributionsConceived and designed the jir.2010.0097 experiments: AM OK RU ZD. Performed the experiments: AM OK RU ZD. Analyzed the data: AM OK RU ZD. Contributed reagents/materials/analysis tools: AM OK RU ZD. Wrote the paper: AM OK RU ZD MDG.PLOS ONE | DOI:10.1371/journal.pone.0122866 March 24,9 /Dance Motivation Inventory
Since the outbreak of severe acute respiratory syndrome (SARS) in 2003, the World Health Organization (WHO) has urged countries to prepare for a possible, future influenza pandemic [1]. In June 2009, the WHO declared the first influenza pandemic, influenza A/H1N1, of t.

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